DZOFILM Arles Prime 18/25/35/50/75/100mm (PL_Black_Case_6pcs_Imperial)
by DZOFilm
Rok isporuke:
20-30 dana
SKU
DZO-SAP6IPL
The DZOFilm Arles FF/VV Prime Cine 6-Lens Set comprises six popular focal lengths designed to capture immersive images and rich detail. This ARRI PL-mount full-frame/VistaVision set comprises 18, 25, 35, 50, 75, and 100mm plus a hard lens case. All the lenses share similar gearing, iris blades, front diameters, and aperture ranges for easy switching.
Akcija traje do 30. 7. 2026. ili do isteka zaliha!
Normalna cijena
23.839,50 KM
Posebna cijena
21.705,00 KM
18.551,28 KM
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Sadržaj pakovanja
- DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- Rear Cap
- Support Rod
- Support Base
- Shim Set
- DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
- Front Cap
- PL Rear Cap
- Shim Set
- Support Base
- Support Rod
- Hard Case
DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 18mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, lower contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 35mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 80° for intuitive manual adjustments.
DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 50mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 75mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 82° for intuitive manual adjustments.
DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 100mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
- The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
- The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
- Floating elements minimize breathing during focus shifts.
- The inclusion of aspherical elements helps to improve low-light capture.
- Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 90° for intuitive manual adjustments.
| DZOFilm Arles 18mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 18mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | No |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 97° | |
| Diagonal: 61° | |
| Vertical: 104° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 15 Elements in 13 Groups |
| Filter Thread | No |
| Minimum Focus Distance | 11.4" / 29 cm |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Lens Mounting | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° |
| Iris: 76° | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.66 lb / 1.66 kg |
| DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 25mm |
| Maximum Aperture | T1.4 |
| Lens Mount | Interchangeable Mount with Included ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | Interchangeable Mount with Included ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 80.36° | |
| Vertical: 47.28° | |
| Diagonal: 87.44° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 14 Elements in 12 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 13.8" / 35 cm |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 77° (Manual Only) | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.28 lb / 1.49 kg |
| DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 35mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 61.1° | |
| Vertical: 34.23° | |
| Diagonal: 67.15° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 14 Elements in 12 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 13.78" / 0.35 m |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 80° (Manual Only) | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.64 lb / 1.65 kg |
| DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 50mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 45.17° | |
| Vertical: 24.61° | |
| Diagonal: 50.23° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 13 Elements in 9 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 19.7" / 0.5 m |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 80° (Manual Only) | |
| Electronic Communication | No |
| Diameter | 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.7 lb / 1688 g |
| DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 75mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 30.45° | |
| Vertical: 16.35° | |
| Diagonal: 34.1° | |
| Focus Scales | Metric, Imperial |
| Optical Design | 13 Elements in 9 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 2.46' / 0.75 m |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 82° (Manual Only) | |
| Electronic Communication | No |
| Diameter | 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 3.66 lb / 1.66 kg |
| DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL) | |
| Focal Length | 100mm |
| Maximum Aperture | T1.4 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Filter Thread | 86 mm |
| Image Stabilization | No |
| Electronic Communication | No |
| Maximum Aperture | T1.4 |
| Minimum Aperture | T22 |
| Lens Mount | ARRI PL |
| Lens Format Coverage | Full-Frame (46.5 mm Image Circle) |
| Angle of View | Full Frame |
| Horizontal: 23.12° | |
| Vertical: 12.34° | |
| Diagonal: 25.96° | |
| Focus Scales | Imperial |
| Optical Design | 13 Elements in 8 Groups |
| Filter Thread | 86 mm |
| Minimum Focus Distance | From Camera Sensor: 3' / 90 cm |
| Aperture/Iris Blades | 16 |
| Image Stabilization | No |
| Gear Standard | Focus, Iris: 0.8 MOD |
| Gear Rotation | Focus: 270° (Manual Only) |
| Iris: 90° (Manual Only) | |
| Electronic Communication | No |
| Diameter | Front: 3.7" / 95 mm |
| Length | 4.8" / 121 mm |
| Weight | 4 lb / 1830 g |
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