Canon EOS Cinema C500 MK II EU-V2 EMEA

by Canon
Raspoloživost Sarajevo: Isporuka 20-30 dana
SKU
3794C019AA

CANON EOS C500 MARK II - 5.9K Full Frame sensor in a compact body.

KM 24.576,50 KM 21.005,56

Sadržaj pakovanja

  • 1x EOS C500 Mark II BODY
  • 1x Measure Hook
  • 1x Camera Grip GR-V1
  • 1x Stopper
  • 1x Thumbrest
  • 1x Microphone Holder Unit
  • 1x LCD Monitor LM-V2
  • 1x LCD Attachment Unit LA-V2
  • 1x Handle Unit
  • 1x Hex Wrench 3/16 E, 1x Hex Wrench M4, 1x Hex Wrench M3
  • 1x Hex Socket Head Bolt (1/4 inch)
  • 1x Hex Socket Head Bolt (M3)
  • 1x Bolt Stopper
  • 1x SS-1200 Shoulder Strap
  • 1x Battery Charger CG-A20
  • 1x Compact Power Adapter CA-CP200 B
  • 1x AC Cable EU
  • 1x AC ADAPTER AC-E19
  • 1x Power Cord EU
  • 1x BP-A60 Battery Pack
  • 1x Extension Unit Attachment Bracket
  • 1x UN-5 Unit Cable
  • 1x EU-V2 Expansion V-lock adapter

CANON EOS C500 MARK II

5.9K Full Frame sensor in a compact body.

New generation Cinema EOS System

5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers.

Breathtaking Full Frame image quality

Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science.

The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.

High quality and efficient recording formats

The EOS C500 Mark II features a DIGIC DV 7 image processor enabling 12-bit Cinema RAW Light recording internally up to 5.9K, with support Full Frame, 4:3, 6:5, Super 35mm and Super 16mm sensor modes for a variety of production workflow requirements.

12-bit Cinema RAW Light is also scalable thanks to new firmware introducing an extensive range of data rate options up to 2.1Gbps with Cinema RAW Light LT, ST and HQ recording modes.

Record at 4K 4:2:2 10-bit using the Canon XF-AVC format, while simultaneously recording to the dual CFexpress card slots if required, with an additional SD card slot for proxy files.

Multiple recording formats offer flexibility and efficiency for a wide range of production requirements.

5.9K Over Sampling Processing for 4K

The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.

Compact, lightweight and reliable

Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Various mount and lens options

The EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements.

EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.

Highly configurable and modular design

Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.

Extension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF -V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.

Pioneering Auto Focus technology*

The EOS C500 MARK II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 MARK II offers the ability to set the AF tracking speed and response.

* with compatible lenses

Extensive Auto Focus functions

Dual Pixel Focus Guide

Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.

Tracking AF

Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.

Face Priority AF / Face Only AF

Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.

First Cinema EOS to support Electronic IS

EOS C500 Mark II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.

Automatically obtains focal length

When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.

Electronic IS with non-electrical contact lenses

Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.

Focal Length can be saved

Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.

High frame rates

The EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings.

Advanced Interface

The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable.

Monitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility.

Full Frame ND filter

Equipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.

New OSD layout

Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.

Anamorphic lens support

EOS C500 MARK II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. In addition, 4:3 (4192 x 3140) and 6:5 (3768 x 3140) shooting resolutions are supported.

Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses are also supported.

User LUT support

In addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows.

A dedicated LUT button gives additional operational flexibility.

ACES Support

The EOS C500 Mark II supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems.

Additionally, video output from the camera can be monitored by selecting the ACES Proxy.

Canon Multi-Camera Control App

Simultaneously control up to 4 professional video cameras with your smartphone via Wi-Fi by taking advantage of Canon’s XC protocol built-in to numerous Cinema EOS and XF cameras.

Access live view monitoring, as well as manage various camera settings including exposure, focus, zoom, record trigger, record format and much more.

Compatible with the EOS C70, C300 Mark III, C500 Mark II and XF605. Available to download from the iOS App Store in December 2023.

Image Sensor  
Sensor Full Frame CMOS sensor
System RGB primary colour filter (Bayer array)
Sensor Modes Full Frame / Super 35 mm (Crop) / Super 16 mm (Crop)
Total Pixels Approx. 20.8 megapixels (6062 x 3432)
Effective Pixels (Full Frame Mode) Approx. 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution
  Approx. 17.52 megapixels (5580 x 3140): 3840 x 2160 or 1920 x 1080 selected resolution
  Approx. 13.16 megapixels (4192 x 3140): 4:3 selected resolution
  Approx. 11.83 megapixels (3768 x 3140): 6:5 selected resolution
Effective Sensor Screen Size 38.1 x 20.1 mm (43.1 mm on the diagonal): 5952 x 3140, 4096 x 2160 or 2048 x 1080 selected resolution
  35.7 x 20.1 mm (41.0 mm on the diagonal): 3840 x 2160 or 1920 x 1080 selected resolution
Dynamic Range Canon Log 2: 1600% / 15+ stops
  Canon Log 3: 1600% / 14 stops
  Wide DR: 800% (at ISO 400)
Image Processor  
Type DIGIC DV7
Lens  
Lens Mount Canon EF Mount.
  PL mount via PM-V1 Accessory.
  B4 mount via MO-4E/MO-4P adapters.
Lens Magnification factor (for EF Mount lenses, including Cinema Primes) Full Frame:
  5952 x 3140 / 4096 x 2160 / 2048 x 1080: x1.00
  3840 x 2160 / 1920 x 1080: x1.056
   
  Super 35MM (Crop):
  4096 x 2160 / 2048 x 1080: x1.460
  3840 x 2160 / 1920 x 1080: x1.534
   
  Super 16mm (Crop):
  4096 x 2160 / 2048 x 1080: x2.920
  3840 x 2160 / 1920 x 1080: x3.069
Changeable Lens Mount Yes, User changeable to EF Cinema Lock or PL Mount
Peripheral illumination correction YES (dependent on lens used)
ND filter Up to 10 stops via built in ND filter system (in extended mode)
Focus control EF Mount: Via lens, wireless control or wired remote (dependent on lens used)
  PL Mount: Only Cine Servo lenses
Iris control (EF mount lenses) Via body, grip, wireless control or wired remote.
  1/2-stop, 1/3-stop or FINE control.
  Possible to maintain constant F-number during zoom.
Cooke/I Technology Support Yes, with Frame Sync support (PL Mount Only)
Anamorphic Lens Support Yes, 2x / 1.8x / 1.3x
Image stabilization system Optical depending on lens used, Digital 5-Axis IS for non-IS lenses. Combination of Optical IS and Digital IS to give combined 5-Axis IS
Recording  
Internal Recording CFexpress card x2 for Cinema RAW Light or XF-AVC/MXF, SD card for Proxy recording
  SD card also used for Photo Storage (1920 x 1080), CP setting transfer and firmware update
Recording time Cinema RAW Light LT: 5952 x 3140 556 Mbps: 122 Mins1
  Cinema RAW Light ST: 5952 x 3140: 871 Mbps 78 Mins1
  Cinema RAW Light HQ: 5952 x 3140: 1770 Mbps 38 Mins1
  XF-AVC / MXF: 4096x2160: 410 Mbps 156 Mins1
Recording Formats Cinema RAW Light (CRM), XF-AVC (MXF)
System Frequency/ Frame Rates 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
  50.00Hz mode (50.00P / 50.00i / 25.00P)
  24.00Hz mode (24.00P)
Cinema RAW Light Bit Rate/Bit Depth (PAL) 12-bit Cinema RAW Light LT:
  FF / 5952 x 3140 / 50P / 1140 Mbps: approx. 59 Mins
  FF / 5952 x 3140 / 25P / 556 Mbps: approx. 122 Mins
  4:3 / 4192x3140 / 50P / 799 Mbps: approx. 85 Mins
  4:3 / 4192x3140 / 25P / 400 Mbps: approx. 170 Mins
  6:5 / 3768x3140 / 50P / 719 Mbps: approx. 94 Mins
  6:5 / 3768x3140 / 25P / 360 Mbps: approx. 189 Mins
  S35 / 4096x2160 / 50P / 538 Mbps: approx. 126 Mins
  S35 / 4096x2160 / 25P / 269 Mbps: approx. 253 Mins
  S16 / 2048x1080 / 50P / 137 Mbps: approx. 498 Mins
  S16 / 2048x1080 / 25P / 69 Mbps: approx. 989 Mins
   
  12-bit Cinema RAW Light ST:
  FF / 5952 x 3140 / 50P / 1750 Mbps: approx. 39 Mins
  FF / 5952 x 3140 / 25P / 871 Mbps: approx. 78 Mins
  4:3 / 4192x3140 / 50P / 1230 Mbps: approx. 55 Mins
  4:3 / 4192x3140 / 25P / 615 Mbps: approx. 111 Mins
  6:5 / 3768x3140 / 50P / 1110 Mbps: approx. 61 Mins
  6:5 / 3768x3140 / 25P / 553 Mbps: approx. 123 Mins
  S35 / 4096x2160 / 50P / 828 Mbps: approx. 82 Mins
  S35 / 4096x2160 / 25P / 414 Mbps: approx. 164 Mins
  S16 / 2048x1080 / 50P / 210 Mbps: approx. 325 Mins
  S16 / 2048x1080 / 25P / 105 Mbps: approx. 650 Mins
   
  12-bit Cinema RAW Light HQ:
  FF / 5952 x 3140 / 25P / 1770 Mbps: approx. 38 Mins
  4:3 / 4192x3140 / 25P / 1250 Mbps: approx. 54 Mins
  6:5 / 3768x3140 / 25P / 1350 Mbps: approx. 50 Mins
  S35 / 4096x2160 / 50P / 1690 Mbps: approx. 40 Mins
  S35 / 4096x2160 / 25P / 841 Mbps: approx. 81 Mins
  S16 / 2048x1080 / 50P / 426 Mbps: approx. 160 Mins
  S16 / 2048x1080 / 25P / 213 Mbps: approx. 320 Mins
XF-AVC Recording Bit Rate/ Sampling (PAL) 4:2:2 10-bit (Intra-frame):
  4096x2160 or 3840x2160 / 50P / 810 Mbps: approx. 79 Mins
  4096x2160 or 3840x2160 / 25P / 410 Mbps: approx. 156 Mins
  2048x1080 or 1920x1080 / 50P or 50i / 310 Mbps: approx. 207 Mins
  2048x1080 or 1920x1080 / 25P / 160 Mbps: approx. 401 Mins
   
  4:2:2 10-bit (Long GOP):
  4096x2160 or 3840x2160 / 50P / 260 Mbps: approx. 246 Mins
  4096x2160 or 3840x2160 / 25P / 160 Mbps: approx. 401 Mins
  2048x1080 or 1920x1080 / 50P or 50i / 50 Mbps: approx. 1284 Mins
  2048x1080 or 1920x1080 / 25P / 50 Mbps: approx. 1284 Mins
XF-AVC Proxy Recording Bit Rate/ Sampling (PAL) To SD Card 2048 x 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps / 25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP
  Proxy recording available for Cinema RAW Light or XF-AVC recording*
Slow/Fast motion Cinema RAW Light:
  5952 x 3140 / 4096 x 2160: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS. 24.00P / 23.98P: 12 - 60 FPS
  2048 x 1080: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS
   
  XF-AVC, Full frame / Super 35mm (Cropped):
  4096 x 2160 / 3840 x 2160 (810 / 410 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS
  2048 x 1080 / 1920 x 1080 (310 / 160 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS
   
  Super 16mm (Cropped):
  59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS
  2048 x 1080 (35 / 24 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS
Interval Record No
Frame Record No
Pre Record (cache record) Yes, 3 seconds or 5 seconds, selectable*
Relay Recording Yes
Double Slot (simultaneous) Recording Yes
Scan Reverse Yes
HD->SD conversion No
Digital Teleconverter 1.5x, 2x, 2.5x, 3x, Off
Photo storage media SD/SDHC memory card
Photo Recording Size Approx. 930 KB at 2048 x 1080; Approx. 880 KB at 1920 x 1080
System  
Wave Form Monitor Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals
  Line Display / Line and Spot / Line Select / Field Display / RGB Display / YPrPb / HDR PQ and HDR-HLG output supported. Indication is pre-LUT (where LUT is selected)
False Colour Display (Exposure Indication) Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals
Colour Bars SMPTE, EBU and ARIB colour bars available. See the menu.
Peaking Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
Zebra Level 1; Level 2; Both
  Output via SDI or HDMI
Markers On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, gray or white.
EVF  
Built- In EVF No
Optional EVF Accessory Yes. OLED Electronic Viewfinder, EVF-V50 or EVF-V70
Inputs/Outputs  
Audio in 2x 3-pin XLR Inputs, 1x 3.5 mm stereo mini jack (input only, powered)
  XLR Input 1 / 2 on camera body. XLR Input 2 / 3 via optional Expansion Unit EU-V2
Headphone output 3.5 mm stereo mini jack (output only, Camera Body).
Video monitor output MON: 1x 3G-SDI BNC terminal (output only, Camera Body).
HDMI HDMI connector (type A) (output only, Camera Body).
USB Yes, Input only, Camera Body. (GP-E2 connection)
SDI output 1x 12G-SDI BNC terminal, 4K to 2K/FHD conversion available (output only, Camera Body)
Time code BNC jack (input/output, Camera Body).
Genlock Yes, with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector)
Sync BNC jack (output only/also serves as GENLOCK connector)
Component out No
AV terminal No
DC Output Yes, requires optional EU-V2 or EU-V3 accessories.
  EU-V2: 24V/2A via Fischer 3-pin output / 50W D-Tap output
  EU-V3: 12V/2A via Hirose 4-pin output
DC input XLR 4-pin jack, 11.5 -20V
Remote Control Terminal REMOTE A connector 2.5 mm stereo jack (input only)
  REMOTE B connector Round 8-pin jack (for RS-422) with optional EU-V1 / EU-V2 / EU-V3
Wireless Control Terminal Yes
Lens terminal Yes, requires optional EU-V2 / EU-V3. 12-pin jack
Ethernet terminal Yes, requires optional EU-V1 / EU-V2 / EU-V3. Ethernet connector (RJ45) (supports 1000 BASE-T)
IP Streaming & Control Yes, via Ethernet / Wi-Fi connection.
  9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i) (EU-V1 / EU-V2 / EU-V3 required)
  Canon XC Protocol supported.
  Canon Browser Remote supported.
LUT input Yes, available for monitoring or applied directly to recordings. Compatible with .CUBE LUT files
Video connector Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor
Tally Signal Yes, requires optional EU-V3.
  REC Tally Out / REC Trigger In via Hirose 4-pin terminal
Return Signal Input Yes, requires optional EU-V3.
  1x BNC terminal input (supporting 3G/HD-SDI signals)
  Return output destinations: VIDEO / EVF-V50 / MON / HDMI / SDI OUT
Misc.  
Tally lamp Yes, physical light and on-screen monitor border
Custom Dial Yes
   
   
Smartphone Application Support Canon Multi-Camera Control / Browser Remote Control
Exposure  
Exposure metering Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris
Exposure Compensation Yes
Auto Exposure mode Auto Iris with compatible lenses
Push Auto Iris Yes, EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2 / EU-V3
Exposure Lock No
Auto Gain Control setting Yes
ISO Sensitivity 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400]
  [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF
  1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000,40000,51200,64000, 80000,102400]
  [---] When ISO speed expansion is ON.
Auto Focus System (EF Mount) Dual Pixel CMOS AF, Contrast AF
AF Frame Sizes (EF Mount) Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range
  Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range
  Selectable AF point over 80% horizontal / 80% vertical (approx.) of sensor
  Auto Focus Modes (EF Mount)
  One-Shot AF, Continuous AF, and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting.
  One-Shot AF, Continuous AF, AF-Boosted MF
Face Detection AF (EF Version Only) Yes, supporting frame rates up to 120p.
  Face Priority or Face Only modes available.
Focus Guide EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses
Gain setting [-6dB, -3dB], -2dB (*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB]
  [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF.
  When ISO speed expansion is ON: between -2 dB and 54 dB
  When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.
Shutter Control Modes
  Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
Shutter speed 1/3 stop: 1/12 to 1/1600, 1/2000 (24 settings)
  1/4 stop: 1/12 to 1/1700. 1/2000 (31 settings)
Shutter Angle 11.25º to 360º depending on frame rate
Slow Shutter (SLS) 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
Clear Scan 24.00 Hz* to 250.40 Hz
  (*) The frequency will differ depending on the frame rate setting.
Custom Picture  
Stored Configurations C1: BT.709 Wide DR (Wide DR / BT.709 Gamut)
  C2: LOG2 (Canon Log 2 / Cinema Gamut)
  C3: LOG3 (Canon Log3 / Cinema Gamut
  C4: PQ (PQ / BT.2020 Gamut)
  C5: HLG (HLG / BT.2020 Gamut)
  C6: BT.709 Standard (BT.709 Standard / BT.709)
  C7: EOS Standard (BT.709 Wide DR / BT.709)
  C8: EOS Neutral (BT.709 Wide DR / BT.709)
  C9: Canon 709 (Canon 709 / BT.709)
  USER10 to USER20 (Wide DR / BT.709 Gamut)
Colour matrix Neutral: Accurate colour reproduction
  Production Camera: Colour reproduction for use in movie production
  Video: Colour reproduction equivalent to C300/500 CP-OFF (for commercial cameras)
HDR-HLG Profile BT.2100: Corresponds to ITU-R BT.2100
  Vivid: Corresponds to Traditional Colour in ITU-R BT.2390
Master Pedestal -50 to +50
Master Black Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50
Black Gamma Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50
Low Key Saturation Adjustable: -50 to +50
Knee Point -50 to +109, Slope -35 to +50, Saturation -10 to +10
Sharpness Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness
Noise reduction Off, On (1 to 12)
Skin detail Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps
Selective Noise Reduction Off, Low, Middle, High / Hue, Chroma, Area, Luminance.
Colour matrix Phase, Gain and RGB adjustment, in tandem with Gamma selection
White balance AWB, USER setting (setting range: 2000K to 15000K/ -20CC to
  +20CC), daylight, tungsten, settings (A/B)
Colour correction Area selection / area revision of two areas
Setup level -50 to +50 On/Off
Wi-Fi & GPS Specifications  
Wi-Fi (Optional Accessory) (1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system)
  (2) Manual setup
  (3) Search for access points
  Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual
GPS Information (Optional Accessory) Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)
White Balance  
Auto YES
Preset Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B
White Balance Matching Yes, for previous models
White Balance Shift YES. -9 to +9 (Daylight and Tungsten only)
Black balance  
Black balance adjustment YES
Time code  
Count up system Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates)
Start value setting “00:00:00:00”, Set/Reset selectable
Audio  
Recording Linear PCM (24-bit / 48kHz), 4 channels
Miscellaneous  
Dimensions (Main Body Only) 153 x 148 x 168 mm (W x H x D)
Weight (body only) Approx. 1,750g
Weight (Accessories)  
  Camera Grip GR-V1: Approx. 260g
  Mic holder unit: Approx. 56g
  LCD Monitor LM-V2: Approx. 204g
  LCD Attachment Unit LA-V2: Approx. 265g
  Handle unit: Approx. 227g
  Thumb rest: Approx. 9g
  Battery Pack BP-A60: Approx. 434g
  Extension System Attachment Bracket: Approx. 11g
  Compact Power Adapter CA-CP200B: Approx. 290g (Not including AC cable)
  Unit Cable UN-5 Approx. 80g
  Battery Charger CG-A20: Approx. 145g
  Body cap: Approx. 17g
  Eye cap: Approx. 26g
   
  Optional accessories
  Extension unit 1 EU-V1: Approx. 114g
  Extension unit 2 EU-V2: Approx. 652g
  Extension unit 3 EU-V3: Approx. 1.06kg
  OLED Electronic View Finder EVF-V50: Approx.170 g
  EF Cinema Lock Mount Kit CM-V1: Approx. 170g Not including cap
  PL Mount Kit PM-V1: Approx. 345g Not including cap
  B4 Mount Adapter MO-4E: Approx. 230g / MO-4P: Approx. 248g
  CFexpress card: Approx. 8g Clamp Base: CL-V2: Approx. 120g
Operating Temperature range Approx. 0 to 40°C, (85% relative humidity)
  Approx. -5 to 45°C, (60% relative humidity)
Power Supply BP-A60 (Supplied), BP-A30 (Optional), V-Lock with EU-V2 / EU-V3, 11.5V - 20V, Mains 4-pin XLR
Power Consumption Cinema RAW Light: Full size / 5952 x 3140 2.1GB: 59.94P / 50.00P - 34.0W
  Super 16mm / 2048 x 1080 250Mbps: 59.94P / 50.00P - 28.0W
  XF-AVC: Full size / 4096 x 2160 810Mbps: 59.94P / 50.00P - 33.4W
  Super 16mm / 2048 x 1080 310Mbps: 59.94P / 50.00P - 28.0W
  MAX POWER CONSUMPTION: 63W